翻訳と辞書
Words near each other
・ Cinema of Uzbekistan
・ Cinema of Venezuela
・ Cinema of Vietnam
・ Cinema of Wales
・ Cinema of West Asia
・ Cinema of West Bengal
・ Cinema of Yemen
・ Cinema of Yugoslavia
・ Cinema One
・ Cinema One Originals
・ Cinema Opera and Ezzeddine Building
・ Cinema Organ Society
・ Cinema of Afghanistan
・ Cinema of Africa
・ Cinema of Albania
Cinema of Algeria
・ Cinema of Argentina
・ Cinema of Armenia
・ Cinema of Asia
・ Cinema of Australia
・ Cinema of Austria
・ Cinema of Azerbaijan
・ Cinema of Bahrain
・ Cinema of Bangladesh
・ Cinema of Belgium
・ Cinema of Bhutan
・ Cinema of Bihar
・ Cinema of Bolivia
・ Cinema of Brazil
・ Cinema of Bulgaria


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Cinema of Algeria : ウィキペディア英語版
Cinema of Algeria

Cinema of Algeria refers to the film industry based in the north African country of Algeria.
==The colonial era ==
During the era of French colonization, movies were predominantly a propaganda tool for the French colonial state. Although filmed in Algeria and viewed by the local population, the vast majority of "Algerian" cinema in this era was created by Europeans.
The colonial propaganda films themselves generally depict a stereotypical image of pastoral life in the colony, often focusing on an aspect of local culture that the administration sought to change, such as polygamy. One example of such a film is Albert Durec's 1928 ''Le Désir''.
Popular French cinema filmed or set in Algeria often echoed many of the tropes common in administration-funded films. For example, L'Atlantide was a wildly popular 1921 French-Belgian silent movie filmed in the Aurès Mountains, Djidjelli, and Algiers in what was then French Algeria. Although not explicitly about Algeria, the movie (itself based on a popular book) depicts two French Foreign Legion officers and their love affair with the lascivious queen of a fictional Saharan kingdom. One of the earliest films to engage with the French presence in North Africa, the film emphasizes not only the romance and exoticism of the venture, but also European anxieties over their role in Africa and the possibly dangerous affects of inter-racial contact. Other films with similar themes followed, including ''Le Bled'' (1929), ''Le Grand Jeu'' (1934), and ''La Bandera'' (1935).
European domination of the means of cinematic production ended in the early days of the Algerian War, when several Algerian nationalists from the National Liberation Army (ALN) obtained basic film-making equipment which they used to create four short programs. These films were screened via a relay system to viewers in a variety of sympathetic socialist nations. Their content supported the growing nationalist rebellion, including the place of ALN hospitals and a Mujahideen attack on the French mines at Ouenza.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Cinema of Algeria」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.